Showing posts with label color. Show all posts
Showing posts with label color. Show all posts

Guest Post: Design Rules from 10 Rooms

Are you ready for the first in my little mini series, three design rules from three of my favorite bloggers?  I know I am.  First up, Anne Marie from 10 Rooms.  Anne-Marie is a color expert.  I swear, her post on choosing whites is a regular reference for me: you must check it out, here.  She's also a french speaker, a Canadian, the host to blog series "Crushing on Color," and the creator of one of my favorite blog banner out there.

Without further ado, I give you Anne-Marie.

10 Rooms

First of all, thanks so much Heather, for having me over! 
I hope you are having a fantastic time in the Big Apple...
and I hope you'll share a little of your experience when you return so we can live vicariously through you :)

You've asked us for design rules, but since color is my thing,
 I thought perhaps I a few of my most basic color rules may be in order...



#1 The numero uno rule: work with the colors that you love.

This sounds simple, but so many people are living with color that they don't actually like.
You have to ask yourself: what color makes you happy? 
Does pink make your heart do double flips?






Just because pink is not a traditional choice for decor doesn't mean you should pass it up.
Your home doesn't have to please the neighbours, or magazine design editors, or your Mother-in-Law!
Just you and your family. So use what YOU love!






#2 Consider your space.

Your home's architecture sets a stage, and your home will shine when you embrace the architecture and make design choices that highlight the best features in your space, and enhance everything else....
Again, this sounds simple, but filling a terracotta tiled space with black leather doesn't transform it into the city loft you are dreaming of..







but a bit of city might be perfect...






or perhaps no city at all..







#3 Consider the atmosphere your color choices create..

Color is one of the simplest ways to create a "feel" in your home. 
We all know red is stimulating, 






and green rejuvenating, 







but what happens when we place a red sofa against a green wall?




sources 1 2 3 4 6 7 




Complementary combinations of color are lively and create contrast, because they intensify each other.

You have to consider the effect the colors will have on each other, 
as well as how they make you feel individually,
 to best choose a harmonious color scheme 
with the right amount of visual stimulation for your space.



There's so much to think about when choosing color for your design.
I've been working with color for years and still learn new things all the time!
But these three considerations are the basics, and using them you're off to a really good start.



Thanks again for having me over, Heather,
and I'm looking forward to you heading over to 10 Rooms when I'm off adventuring :)



x Anne-Marie




Thank you Anne-Marie!  Can't wait to crush on color with you soon.  As for the rest of you, go visit Anne-Marie and tell her I sent you, and don't forget to enter my Shabby Apple Giveaway!

Heather


Photo Sources: 1, 2, 3, 4, 5, 6, 7

Blue and White

I know:  Super.  Original.  Post.  Blue and White: no one has EVER thought of this before,

But I can't help it.  I've actually been trying to avoid it for a while.  When I did this shopping round up a while back, I was feeling a wee bit obsessed with all the blue and white products at Target.  And then, look, here's an ad, featuring all the blue and white bedding:


It's everywhere!  Traditional Home even did a whole Trend Roundup on Indigo and Navy:



I'm getting on the bandwagon.

Frances Shultz, House Beautiful

 Meg Braff, House Beautiful

Valerie Smith, House Beautiful

Windsor Smith, House Beautiful

Now, blogging 101 says that you should not post the same old images without sharing something new.  So how about this:  Blue and White looks fresh when it goes a little Indian.  Swedish?  So expected.  Nantucket?  Been there, done that.  Chinoiserie?  So classic.  But that hit of block print together with natural materials like this raffia headboard feels fresh.

Alexandra Angle, House Beautiful

 I was drawn to this fabric at S. R. Harris recently (that fabric warehouse I am always, always writing about).


Pretty, no?  Makes me think of a slightly busier version of this Les Indiennes print:


Except this one is on sale for about $300 a yard, whereas the one I found is $12.99.  Just kidding: it's $12.99 LESS 50%.  Either way: a better deal.

Oh, and also this one from the Chinoiserie camp:



On a related note, I think Peter Dunham may have recently outpaced Muriel Brandolini in the category Designer I Would Hire to Do My Own Pad (if I had buckets of money.  Which I don't.  At all.  In fact, my husband just questioned my purchase of a little spring jacket at OLD NAVY.  ON CLEARANCE.  Just for the record.)  His designs have the global thing going on a la Brandolini, but a bit more traditional and polished.  I love Muriel for her over-the-top moments, but somehow right now I'm digging something a little quieter.  Maybe it's just overload from my living room, which seems to be shouting at me right about now.  When I resolve it, I'll share.  Don't see how this is "a related note"?  Peter Dunham = Indian Blockprint fabrics.  Duh.

Anyhoo.  Too many words not really at all about Blue and White.

And so, with that, Good Night, and Good Luck.

Oh, wait: blogger 102 says to engage the reader.  So, reader: who would you choose to design your space, if money were no object?  Just curious.  And/or: blue and white, thumbs up or down?

Here we go again

It occurred to me that the girls' room should really be pink.

This despite the fact that I chose to put the raspberry colored headboards in there BECAUSE of the pale blue walls.  This despite the fact that I  have claimed more than once that I love that I have two girls in a room that is NOT pink.

But the room has never really felt finished to me, and I think there might be too much going on in there.  Plus, I feel like I want a room that is light and luminous, and a sort of seashell pink seems the way to go.  I had a pink bedroom once, and I loved how soothing it was.

So up go the swatches.



They're all in the coral family of pink, picking up on the more salmon tone in the curtains.  Feels fresh to me.  Now, here's the problem.  Sherwin Williams is having a 40% off paint sale that ends today.  And I didn't get a chance to look at these swatches on a sunny day, much less paint big swatches on the wall.  So I will probably just choose one and barrel ahead despite my own better judgement.  Plus, I've never used SW, and despite my recent problems with Behr, I'm still not going back to my trusty Benjamin Moore.  (Having this blog and recording my process makes me see how I make things harder and where I go wrong.  So that's fun.)


I am most drawn to that middle color, but I think, once expanded over the entire space (it's a BIG room), it might be too saturated.  The top one feels like it would disappear.  I'm leaning towards the bottom one.

What do you think?

Validation: green and chartreuse

Green keeps creeping into my life.

I didn't plan it, and often I didn't even choose it, but my house has plenty o' green going on. The Danish modern armchair in the living room, a craigslist find by the hubs back in Brooklyn, is upholstered in green, and much as I keep meaning to change it, there it is. Green. Lots of our art features green prominently, from an overscale photograph we got when the bidder backed out at an auction to a small engraving of a tree that my aunt gave me to a watercolor from my dad for my high school graduation. Green finds me.

And this would be fine. Except. I'm really loving chartreuse (as you may have noticed.) And I've never been so sure about green and chartreuse together. In fact, half the reason I wanted to reupholster the Danish armchair was because, from certain angles, you could see it in the same line of vision as the (chartreuse) dining room curtains. They're not even in the same room, just in the same line of sight!

Anyway, one day I was going through some old tearsheets and I stumbled upon this.


It's from the old Cottage Living, and truth be told, there are 1001 things I love about this house. Maybe even more. And it was funny to see it again and notice that the designers used a lot of chartreuse, and in the living room they paired it with green. And what do you know: I like the overall effect.

This got me to thinking about the notion of validation. My first reaction was to think, hey! it's okay for me to have green and chartreuse after all! Lookie here--they did it in a show house! I suppose we look to those who are more "expert" than we are to say what is and isn't okay, what we should, and should not, do. Just tonight I was reading a piece by Mark Bittman in the NY Times about frozen vegetables (thanks to the hubs keeping my reading interests broad), and Bittman, something of a foodie and an expert himself, went looking for validation from someone more expert than he when it comes to his experience with the use of frozen vegetables.

The truth is, others can "show us how it's done," but in the end we have to do what we like. If frozen vegetables taste good to us, we should eat them, no matter what anyone else thinks. If we want to pair chartreuse and green, we should go for it. And by the same token, if we didn't like a color combination before a shiny magazine trotted it out, we certainly don't need to change our minds.

I am not worshipping at the altar of green and chartreuse. But I am allowing it to be where it seems to want to be. In the girls room, the plaid fabric that went on the beds has both hues, and I put chartreuse moire on the bolsters and green trim on another pillow. And guess what? The rug in there happens to combine both green and a metallic chartreuse thread, though I did not know this when I ordered it. In the living room, I decided to treat the green as a proper element, and embrace the chartreuse next door, rather than trying to ignore one or hide the other. And while I have to admit, I would never name this as a favorite color combination, there's something to be said for allowing these things to emerge.

I may be a control freak, but I can also acknowledge that a lot of decorating magic happens when you just let go.

What about you: did you ever make a decorating decision because a magazine said it was "okay"? Did you shy away from something you loved because it broke the "rules"? I'd love to hear about it.

Okay: Orange!

Who can keep up with all this color forecasting? Last month, my excitement over orange was seemingly misguided when it turned out the hype was about rust. Well, ever the orange freak, I was delighted to see mention in the new Elle Decor of an online color story about orange, inspired by Farrow and Ball's new paint color, Charlotte's Locks. (It's as hot as the name.)

There are nine interiors that you can check out here. It's a surprise to see how many different shades are included, from almost-yellow to almost-pink. My favorite (no surprise) is this Jonathan Adler-designed space in fashion designer Nanette Lepore's home.

I shared other pics from the same space when I was trolling for curtain inspiration.

If you were challenged to use orange in your home, what shade would you pick, and how would you use it? I love the vibrant choice of turquoise and magenta above, but that's a lot of color, and not for everyone.

Correction: Rust!

Just saw this post on the lonnyblog. Turns out, it was their editor who made the Nate Berkus show prediction about orange only, really, it was rust. Check out her other predictions here.

But since orange got some lovin, I will add two cents worth:

Amy, here's a look at the burnt orange shade I mentioned, circa Brooklyn 2007.


And Renee, I have always wanted an orange couch, preferably a corduroy chesterfield like the pair that designer Muriel Brandolini once had in her Manhattan study.


[via New York Living]

But then I went and bought an orange rug and, well, the dream of the orange couch was shelved. I'll live vicariously through you. Enjoy it!

Charteuse and Pink

I recently got the new catalog from Hive modern. Hive is like DWR, only more so. More esoteric design, higher price tags, totally drool-worthy collections. The catalog is itself a thing of beauty, with a square format and heavy paper, and I have been poring over it for days (though not a one of the designs is within my reach.) Mostly the individual products are swoon-worthy, but this particular room makes my heart go pitter pat. The chartreuse and pink combination could not be more luminous.


Going through some old tearsheets, I happen to find another chartreuse and pink dining room, from the Cottage Living 2008 idea home.


I love the way both rooms are grounded with bold color--black and white or royal blue--and the way both use mixed metals to stunning effect. My dining room is chartreuse and teal, which I also love, but this shell pink is just so soothing, so feminine, so, so lovely.

Orange!

Orange is my favorite color. When I was 3 or so, my mom let me choose a new paint color for my room, and I chose orange, so it was also my earliest design decision. (Years later, I again had an orange bedroom in our row house in Brooklyn. After three tries, I still remember the name of the perfect orange shade: Benjamin Moore's Burnt Pumpkin.) Orange is also my husband's favorite color. My engagement ring? Yup, orange, a beautiful mandarin garnet. So it was exciting to hear that, according to Nate Berkus's show today (via my mom), the must-have color for 2011 is orange or rust. Check, and check.





The office chair, new vintage coasters (a birthday gift from my brother and sister in law), and living room rug were just the orange things I could see from my vantage point of the hallway between living room and office. For rust I would need to go down the hall to the lacquered tray in the kitchen, and then on to the rust flowers on the bedding in the master. I also happen to have a pair of rust ceramic lamps that I am selling right about now. Perhaps I should keep them.

Much has been made in the blogosphere about the pantone color choice for the year, which is hibiscus, a bright, cheerful pink. How will this play out in the home decor aisles of Target and Home Goods? Surely I will be tempted by hibiscus, which, for a couple of months, will seem fresh and new. But my heart belongs to orange, whether anyone else is with me, or not.

Going Green




In honor of St. Patrick's Day, I thought I'd be pretty uncreative and pull together some of my favorite green rooms. I'm always a fan of bright, monochromatic (or dichromatic) spaces and green is one of my favorite colors when you're trying to go bright and bold, but still have a "liveable" room. Unlike, say, orange or yellow, Green -- and even bold greens like kelly green -- read as a neutral when they stand alone or when only paired with true neutrals like white or black.

 
I've been coveting these Ava dining chairs from Annie Selke for months. I also love how Amanda carried the green onto the heavy beams, creating a real architectural feature out of what could otherwise best be described as bulkheads. I also love the soft brass fixtures with the green, the warmth lends a richness and depth to the room that I don't think nickel or silver could.



With its cheerful color palette and midcentury touches, this room is classic Jonathan Adler.






This room feels classic New England to me, with the roaring fire, heavy moldings and quilt on the bed. The color, however, really pulls it into the 21st century. I don't know if you'd call this color a blue-green or a green-blue, but I love it.





I typically try to avoid competing shades of a single color in a room, but the lime green walls and turquoise chairs really works together here. The overall effect is updated Palm Beach, without the hyper-coordination that can often make a room feel stuffy.


Ah, another set of dining chairs that I'd love to own for myself -- anyone know the source on these? All the major elements in this room are neutral, but the room feels very colorful thanks to the green curtains, seat cushions and plates. In a few years the owner could easily switch these elements out with a different color for an entirely different look. It just goes to show you that you don't need a lot of color to make a big impact.



The mix of modern and traditional elements in this room is wonderful, but the best feature by far is all that gorgeous natural light streaming in from the floor-to-ceiling window.





I think I'm increasingly obsessed with grass cloth -- if only I could find a place to use it in my own house! In any case, I love the mix of patterns in this room. The graphic rug, the cheetah print chairs and the grasscloth on the walls all lend different but subtle patterns, the combination of which is really greater than the sum of its parts.
Using a great print as a jumping off point for a room is a sure-fire way to achieve a cohesive design. The lavender and lime color palette is pulled from the fabric used on the ottoman and side chair in the foreground. The fabric is then repeated in the pillows on the sofa, ensuring a balance between both sides of the room (after all, it would feel a bit "off" if all the print were on one side of the coffee table and all the solid fabrics were on the other).
These forest green leather doors with brass nailhead trim make me realize that my hollow-core doors are such a missed design opportunity. I also like how the hallway stands on its own design-wise, yet still works with the adjoining entry as it picks up on the greens in the wallcovering and generally harmonizes with the browns that dominate the adjoining space.
I love the tight brown and lime color palette in this room -- it really enabled John to mix prints with abandon: plaid, Ikat, butterflies, geometrics...and yet it all harmonizes beautifully because all the prints contain the same colors (and when they don't, like in the plaid and Ikat prints, Willey added the missing color in as trim). I normally shy away from floral or butterfly prints as too girly, but the color palette and the great mix of other prints makes this room feel gender neutral to me. Also, did you notice the trim on the ceiling? What a great (and inexpensive) way to bring some interest to your fifth wall!
Pink and green is such a classic, preppy color combination, but it's one that never fails to make me happy. It's even better when the colors are turned up a notch as with the hot pink drapes here. The softer neutrals in the rug and chairs help the room from feeling too much like the inside of a Lily Pulitzer store. I will say though that the composition feels a bit unbalanced to me, as all the saturated color in the green sofa and yellow pillows isn't set off by anything. I'd perhaps have included brighter pillows on the neutral side chairs and the white flokati pillows on the sofa...but that's just me.
More fabulous pink and green, but this time both the pink and the green are in bold, saturated shades. I particularly love the contrast of the modern pop art with the very traditional handpainted wallpaper. Such a great contrast really makes this room stand out for me.
As much as I love a serene bathroom, I can't deny that this bright green bathroom from Sixx Designs is tons of fun. The salvaged pharmacy sign is a great touch and picks up on the retro black and white tiling. I really love the strong blue of the pendant light fixture. It's an unexpected, but brilliant touch in this room.
Tobi is definitely a designer after my own heart. She's fundamentally traditional, but she's fond of bold color schemes, patterns and tightly edited spaces, all of which is perfectly exhibited in this green, white and gold living room. It's unusual to see two side tables that are actually taller than the sofa arms, but I like the built-in, cozy look that it lends the room....Oh and I would give my right arm for that coffee table. My only complaint? That Tobi karate-chopped the throw pillows. I hate that! Why do people do that?! Fluff, don't chop, I beg you.

I love the sophisticated, yet tropical feel of this bedroom. Again, I love the grasscloth wallpaper and its chartreuse hue is a very modern touch against the cottage-style bed as almost any other color green could have read as too country here.
Green is, ultimately, a natural color choice in interior design. It pairs well with both complimentary colors (like pink) and analogous colors (like yellow or blue) and is a great accent color for predominately neutral palettes. Green can read as energetic or calming, intense or calm, glamorous or laid back. Green also works in a variety of design styles, from traditional to modern. But whichever direction you choose to take green in your design, you can be assured that you'll be bringing in a little bit of Irish luck into your home.