Showing posts with label ottomans. Show all posts
Showing posts with label ottomans. Show all posts

The Pouf Solution

Now that my living room is mostly pulled together, I go back and forth between feeling like I can just be done for a while and feeling like I really need to figure out the extra-seating-in-front-of-the-fireplace problem.  For those of you new to the blog, I was feeling that leather poufs would be ideal but, lacking the funds, I set out to find another solution, like floor pillows.  After researching all these little square ottomans, I thought I would just make some.  In fact, I asked my mom to save clothes that would otherwise go to goodwill so I could use them for stuffing.  (Although my research also suggests that the ideal stuffing for leather poofs is garbage bags.  Lots, and lots of garbage bags.)  I figured I could make the square ones with the stitching on the outside edges of the seams.  I was even thinking about giving fabric dye another go round.

Well guess what?  Better Homes and Gardens went me one better.  In the current issue feature, 50 changes under $50 (which featured a number of my fave bloggers, including Jenny and Gabrielle), they showed some DIY burlap poufs.

Sew This Hot Accent Today

How perfect are those?  There are full instructions on the website, here.  I will be tackling this, well, after I paint the girls room.  And create art for the upstairs hallway.  And sew pillows for the guest room.  And so and and so forth.  The best part is, if they don't end up feeling right for the living room, they will be great in the girls' room.  Win, win.

But when I finally take it on, I'll tell you all about it.  Is it a deal?

Ta Da!



At long last, the ottoman is done.

Maybe.

Shall we review? (Is it embarrassing to admit that I am seeing this in my mind as a flip book and the song running through my head is that old Music Together classic, Happy Puppy Dog?).  Here goes.

In the store


Glass = Dangerous for kiddos.  I know, let's make it an ottoman!  Cut wood.


Get foam


Paint Frame purple.  Oops!  Spraypaint black.


Reupholster with the wrong fabric.


Reupholster with the right fabric.


Freehand some rub n buff.  Oops!


Tape off the stripes and try it again


Ah, finished.  No?


More gold = More tape.  Lots and lots of tape.  Table bondage.


Perhaps should not have done this step under the influence of a glass (or two?) of wine.


But it turned out okay and let's be honest, I will probably not fix it.  One more time: Before.


And after.

Love it, hate it, or total ambivalence, you gotta admit it's quite a big change!

Oh.  Why is it only maybe done?  Well, I'm thinking all the gold precludes the need for nailhead trim, but I'm going to live with it for a while before I make the final call.

What do you think?  

Thanks for sticking with me on this one.  I'm usually a done-in-a-day, for-better-or-probably-for-worse kind of a gal when it comes to projects, so this one has been a bit of a stretch.

What about you: are you in the middle of any interminable projects these days?  Do tell!

Rub n Buff

At the behest of many of you, I decided to move forward and add more detail to the ottoman.  Not having an upholstery hammer or spacing guide on hand, and encountering the problem of very hard wood to secure the nail head into, I tackled the gold trim first on the theory that perhaps it would be enough bling, and I could avoid the nail head altogether (though I think this is proving untrue--tell me what you think.)  Also, is nail head one word or two?  Blogger's spell check is going crazy when I try to make it one.

To add a little bit of gold, I picked up a $3 tube of rub n buff at Michaels.  There was grecian gold, gold leaf, and antique gold, with no indication of what the difference between them might be.  I guessed and went antique.  Lots of bloggers use this product, and my aunt Eileen, who is a guru in such matters, recommended it to me, and warned me that a little goes a long way.

For some reason, I thought I could just freehand it.  The edges of the ottoman have these grooves routed out, and it seemed easy enough to paint within the lines, but I quickly discovered this was not true.  Do you ever do something stupid and think to yourself how stupid it is as you do it, but figure out it all works out in the end as long as you don't fall/hurt yourself/break anything/ruin anything?  I did not practice with the rub n buff before applying it directly to the ottoman, and even though it was clear with the very first brush stroke that this was not going to work itself out, I continued to paint the whole line.


A fine mess.

So out came the painters tape.


(This is when it feels like an octagon has more than eight sides.  They just kept coming!)




Things worked out much more even, all around.

It feels a tiny bit bright to me (though doesn't really appear too bright in the pictures), but I'm going to sit with it for a few days before I do anything more to it.  And then I will break down and tackle the nail head.  Probably.

Ottoman fabric

Oh, the ottoman.

When I bought this octagon cocktail table on a whim at a thrift store, I didn't plan on turning it into an ottoman, so I wasn't really considering how I would design the thing.  When I did start ruminating a while back, I quickly realized there was a problem.  It's called a bright orange moroccan tile rug.

Don't get me wrong: I LOVE my living room rug.  Orange is our favorite color, and I think it has been established that I love all things Moroccan and all kinds of repetitive graphic patterns.  The trouble, when brining in other fabrics, is the scale of the pattern.  When we first moved in, I bought the Parker Armchair from Crate and Barrel only to discover immediately upon bringing them into the house that the two patterns fought each other, despite a coordinated color scheme and similar points of origin (the suzani and the moorish tile are both middle eastern.)  It was all about the scale.

Yet, if I was designing this ottoman based on the lines of the piece, I would definitely choose a large scale ethnic pattern, not unlike the embroidered indian fabric on the inspiration piece.  Since the room couldn't take a print like that, I had to come at it another way.  I already had a brown couch, a green armchair, and a flokati pillow for solids.  I already had an embroidered african textile and block printed throw pillows for small scale pattern.  Pattern-wise, the room needed a not-too-solid textured neutral, or a stripe.

Also, I should mention the other problem: money.  After the paint debacle, the fabric had to be cheap.  There would be no vintage suzanis or kuba cloth or excellent dhurries for this ottoman, no sirree.

I found a great heavy duty fabric in a sort of basket weave that mimicked the rattan of the table's bottom.  Even better: it had a sort of rubberized finish which seemed durable, and it was a neutral straw with some white running through it.  To be honest, I really waffled on this, but in a fit of impatience decided to put it on after I opened up the canvas dropcloth I had picked up as a neutral alternative and discovered big black imperfections in the fabric.  Thanks again, Home Depot.


I immediately felt that it was too yellow, too beachy, with the black base.  Don't you think?  On a white or natural wood base and in a beach house, it would be perfect.  One last pass at the fabric warehouse turned up a fabric I liked, for $7.50 a yard.  It was off white and a sort of golden tan to pick up on the paler neutal colors in the room, and best of all, it had a dark brown to black pinstitch running through it, which both gave it an ethnic vibe and tied it in to the black base.  It was a stripe without being too stripey.  I decided to add the fabric right over the straw, which was much stronger than the new fabric and gave the piece a stable base.


While, again, I didn't really want a directional fabric on the piece, I do like the stripe in the room.  I like the way the cream and tan sort of cool down the other colors, like the hot orange rug and the hot pink, green, and blue in the 70s oil paintings that are hanging in there.

But I'm not finished.  The next decision: whether to glam it up with details or leave well enough alone.  I have these brass and black nailheads that I was planning to space about an inch apart all along the edge (back when I thought I was going totally drop-cloth neutral).


And I have a tube of gold rub n buff, just ready to trim out the details on the base.  What do you think: glam it up, or keep it simple?

Progress, people, progress.

The Ottoman

Oh, my cocktail table turned ottoman, you have been an unnecessary saga.  And this has become an unnecessarially long post.

To be honest, I sort of avoided sharing the process as I went, because for a while there I wasn't sue it was all going to work out.  And I don't want to bore you with the details, but I did learn an important lesson or two, so let's get to those.

Here's what I was starting with.


A sort of fruitwood octagon cocktail table with a glass top, which I snagged on a whim for $29 from a consignment shop.  When my husband suggested that the glass might not hold up to a 2 and 4 year old, I decided to turn it into an ottoman, like one I saw on the cover of House Beautiful.

I would fill in the hole with plywood:


Add a piece of custom-cut 2 inch standard density foam to the top:


And upholster it.

And then the design process began in my brain.  The first big question:  is it all about the top, meaning, do I focus on fabulous fabric with an overscale pattern and even consider skirting it to play up the shape?  Or do I make it all about the base?  I'll share some of the inspiration images that went into this process later this week (a little backwards, I know--this is what happens when bloggers don't blog about projects as they go), but in the end I decided to play up the base.

For my living room, a black base was really the only way to go.  Now, here's where things start to go wrong. I knew that what I really wanted was an ebony stain, but that meant a crazy amount of stripping and sanding, and we're not talking about flat surfaces here.  My husband had a bad run in stripping 80 years of paint off the front door at our Brooklyn house, and did a good job of talking me out of this.  If I wasn't going to strip and stain, then I wanted lacquer.  So I read up on a couple of different lacquering processes, but, no surprise, they all take about 18 steps (with lots of sanding and LOTS of different materials that I did not have on hand), so I decided to paint it.

So this is kind of wussing out, but still seems reasonable enough, right? When we moved into this house, I decided to do things properly, which has resulted in me learning to pinch pleat draperies, painting 4 coats of paint to get an even finish, figuring out how to make pleated lampshades, and more.  In this case, "proper" painting meant oil-based paint.  I went to a couple of stores before I could even find it, and then discovered that a quart is $25.00.  I didn't discover this until after I had a quart mixed, however, and I like to think that the price tag (especially when you throw in primer and natural bristle brushes), would have stopped me in my tracks.  Then, instead of just buying the black off the shelf and adding a few drops of red for warmth, which is what I should have done, I got all fancy and chose a custom color at the suggestion of the (adorable) paint guy.

Black Bean Soup.  That's the color we decided on.  I wanted a very slight purple undertone to work with the wood stain on my side tables.  I cleaned, dried, and primed the whole piece, then opened up the can of paint, which sure did look EXACTLY like black bean soup.  I went ahead and started painting, despite my misgivings about the color, telling myself that the light was bad in the basement and it would turn out all right.

After letting it dry overnight, I brought it up to the living room, just as my husband was coming in.  It was a nice, sunny, day, and what do you think my husband said to me?

"Why did you paint the coffee table purple?"

Uh huh.  Good question.

So I took the 20 minute drive back to the paint store and begged them to make my $25 worth of purple-black paint black-black.  And they tried.  But we ended up somewhere in the region of mud brown.  And this little side project was starting to send me close to the intersection of batshit and crazy.

This post is way too long.  I know it.  Especially for a Monday.  But it would really be dragging it out to break this up into stages, especially after the fact.  I'm almost done.

At this point, I took it up with my husband, who would prefer not to discuss decorating but can see when an intervention is needed.  (Okay, none of this is such a big deal except that I was feeling the investment of time--all the thinking, researching and planning--and money for that damn expensive paint.)  Here's where the first important lesson comes in.  He said to me:  If you received this piece today, in this condition, what would you do with it?

See what he did there?  He removed all of my investment, which was clouding my judgement.

I went to Home Depot to get a can of black spraypaint.  (Thank goodness the kid working the register did not ask for my ID, as the touch screen suggested he should do, because it was in the pocket of the sweatshirt I had worn to the gym, which was at home.)  I bought the cheapest kind, in black semi-gloss.  At $2.99, I considered buying 2 cans, just in case, but then remembered the $25 oil paint.

And, of course, one can was not enough.  And my three local hardware stores did not carry the brand I bought, and there was no way that I was risking two different blacks or two different finishes at this point.  So I picked up my kids from school, dragged them to Home Depot, and bought another can.  This time I DID get IDed, and thank goodness I had retrieved my license back to my wallet where it belongs.

I finished the final coat in one half of the yard while the kids played in the other half, making me a bad parent on top of everything else.


And let it hang out in the living room for a while, to get a feel for the thing.  You can see that the paint is a little patchy in spots, and if this was the final form of the piece it would not do.  But put a top on it, and many sins are invisible.

I realize that I should have just spraypainted it in the first place.  Herein lies the next important lesson for the two of you who are still with me.  When you are doing DIY projects, it is important to consider the original piece when you decide what to put into it.  In this case, we're talking about a solid piece of furniture, but not exactly valuable.  I realize now that while it will end up pretty nice, it never had the potential to be a showstopper, so why treat it like one?  You can certainly elevate a piece with the right materials, but in some cases the easiest and cheapest solution might be the best.

Stay tuned for the upholstery stage.



Flashback Friday: The First Ottoman we Built

While it often feels like I remember every piece of furniture and every home accessory I have purchased (and where it came from and how much I paid and how much I saved from the original price), I sometimes have glaring omissions in my memory.  Like the other day, when I was going on and on about how I would never choose a red couch, only to realize I have a red couch.  I bought it off craiglist for $40 and always sort of intended to get a new slipcover for it (its the super basic couch from Ikea.)  I know it seems crazy to forget about a major piece of furniture currently in your house, but it's in the basement and I rarely use it and really, I wanted something different.  Denial much?

While I was in the process of planning the cocktail table turned ottoman project, I was talking to my husband about it and he answered one of my questions by saying "I don't know--I've never built an ottoman."  Again, I was all, "I know honey, but you can still help me figure this out," and he was all, "I was being sarcastic--remember the orange ottoman?"

The orange ottoman!  How could I forget!  After our older daughter was born, we wanted to do away with pointy edged things, including the coffee table.  When we couldn't find an ottoman the size we desired, we built one.  The thing was over 4' square: how could I forget??



[photo credit: me.  model: Clio and the "make-out monkey".  You're welcome!]

So, how to do it.  Dave built a big box with a flat bottom and an open top.  I used upholstery webbing to make a forgiving top, stapling it to the outside of the box.  We added foam, a layer of batting, and a set of legs we bought online in unfinished pine and stained.  The fabric came from a remnant bin and the nailhead is french trim, which comes on a big roll and you only actually hammer in every 8th nail or so.  I can't remember why I didn't seam the corners, but instead I used a sort of tuck -- it was a casual look that worked but that I probably wouldn't repeat.  The hardest thing about this project was finishing the edges--for some reason, the legs had to be screwed in before the piece was upholstered, so rather than stapling the fabric underneath, I had to staple it right to the edge, with the fabric turned under, and then cover it with nailhead.

All of which is to say, ottoman-building is completely doable, though I think I prefer my new method of upholstering a coffee table.  Much simpler when you don't have to build the frame!

Have you built any custom projects for your home?  Did you forget all about them like I did?

MY in-laws are on their way to town for the holiday weekend.  I'll be back on Tuesday--enjoy it!

Heather

Little Miss Muffet gets an upgrade

Pottery Barn now makes a tuffet.

Swear to god.  A TUFFET.  And it's faux-shearling.


To be honest, I think its kind of cute, though it also kind of looks like it belongs in a bathroom--doesn't it kind of look like terry cloth?

What, you ask, is the difference between a tuffet, a poof, and an ottoman?  Well, I will tell you.

An ottoman is a cushioned footstoll or a low cushioned seat without back or arms.  A pouf is a broad, backless, usually round cushioned seat.  And a tuffet is a low stool, seat, or mound.  Same, same.

And because I was an english major and love me some OED, let me take this one step further.  Tuffet is from the old french touffe for little tuft.  According to the dictionary, tuffet is "obsolete, except for in the rhyme Little Miss Muffet."  Way to go Pottery Barn, bringing the tuffet back!  Is this just a ploy for originality?  Or can someone see some other reason not to call this thing a pouf?  What's next, do you think: the hassock?

Clearly, I still have poofs on the brain.  It is still someone related to my ottoman project, which is coming along and which, I swear, I will share soon.

Ottoman, squared

Between my cocktail-table-turned-ottoman project and the floor pillow-poufs I am desiring, I've really got upholstered squarish things on the mind.

I went through my manila file folder of old tearsheets tonight, trolling for inspiration.  Do you do this?  I love how I notice things I've never seen before, depending on what's on my mind.  I should be clear about what I was looking at: this file folder is full of images I have torn from magazines over the past decade and kept, through as many as three moves.  They are dog eared.  The file has been weeded, and these are the images that remain.  They are spaces that I love.

A surprising number of these rooms have squarish poofish items, for extra seating and/or as ottomans.  Okay, maybe not so surprising considering the trend and the simple practicality of these items.  (I also found some awesome floor pillows and a tendency towards ottomans upholstered in interesting textiles, but we'll save that for another day.)

For the most part, I did not pull these images for the poofs, but this first one is the exception.  Elle Decor, circa 2005, and I SO wanted those white square leather poofs.  Still do, in truth.  In fact, if I could have those, there would be no searching for dhurries to make the floor cushions mentioned the other day.

[Elle Decor]

Let's see, what else.  I love both the use of unembellished silver leather and the bathroom placement of this one.

 [design: Amanda Nisbet; via House Beautiful]

More silver, this time in a shazaam shape.  But what do you expect when Jonathan Adler gets a client like Nanette Lepore?

[Design: Jonathan Adler; via: Elle Decor]

Love the nailhead on this one
 [Cottage Living Idea House]

The unexpected rectangular shape and use of cowhide here
 [Design Peter Dunham; via House Beautiful]

And the amazing ethnic print on this one, kind of like kuba cloth, only possibly, could it be? leather?

 [House Beautiful]

And this one just goes to show that a humble cube in bold colors (these are from Ikea) can work well in an understated room with just the right details, like those portraits, and that LAMP.

 [House Beautiful]

 I also kind of have a soft spot for these little round patchwork ones, especially the single one, in another Peter Dunham room.

 [Design: Kathryn M Ireland, via House Beautiful, possibly Reese Witherspoon's country house at one point?]

[design: Peter Dunham; via House Beautiful]

Would you use one of these in your home?  Which is your favorite?